Eleusis
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 | Private Luxury Tour The Ancient Marvels of Eleusis and Corinth $259.10 Unravel the mysteries of Eleusis, where for over 2,000 years, the Eleusinian Mysteries transformed those who dared to seek their wisdom. Walk through the Telesterion, where initiates stood in awe before Demeter, the goddess who mourned Persephone's descent into the underworld, a myth of life, death, and rebirth that shaped civilizations. |
The archaeological site at Eleusis.
Demeter and Persephone.
The citizens of Eleusis worshiped Demeter, the goddess of nature, Spring and agriculture. The myth of Demeter and her daughter Persephone is, like most myths, allegorical. It refers to the rebirth of life, following its “death” in winter, and the eternal longing for immortality. According to a 7th c. BC hymn, one day the earth opened up in two, Plouton, the god of the underworld appeared, and seized the young Persephone. He took her to his kingdom and made her his wife. Her mother looked for her in despair. Having looked for her nine days and nights, without success, she arrived in despair at the doorstep of the palace of Keleos, king of Eleusis. She became the nurse for his son, and when her real identity was revealed, she requested that a temple be built in her honor, where she remained, devastated by the loss of her daughter. The following year, not a seed grew on the world. Zeus was worried. He sent Hermes to appeal to Plouton. A compromise was reached: Persephone would remain in the kingdom of Plouton for one third of the year, and the remaining time she could stay with her mother. Overjoyed, Demeter allowed the plants and flowers to grow, and the earth became fruitful again.
The citizens of Eleusis worshiped Demeter, the goddess of nature, Spring and agriculture. The myth of Demeter and her daughter Persephone is, like most myths, allegorical. It refers to the rebirth of life, following its “death” in winter, and the eternal longing for immortality. According to a 7th c. BC hymn, one day the earth opened up in two, Plouton, the god of the underworld appeared, and seized the young Persephone. He took her to his kingdom and made her his wife. Her mother looked for her in despair. Having looked for her nine days and nights, without success, she arrived in despair at the doorstep of the palace of Keleos, king of Eleusis. She became the nurse for his son, and when her real identity was revealed, she requested that a temple be built in her honor, where she remained, devastated by the loss of her daughter. The following year, not a seed grew on the world. Zeus was worried. He sent Hermes to appeal to Plouton. A compromise was reached: Persephone would remain in the kingdom of Plouton for one third of the year, and the remaining time she could stay with her mother. Overjoyed, Demeter allowed the plants and flowers to grow, and the earth became fruitful again.
The Eleusinian mysteries were named mysteries because the most important part of the event, involved intense mysticism. We don’t know much about the worship of Demeter by thousands of people for over 15 centuries. The Great Eleusinian Mysteries had their starting point in Eleusina. The remarkable procession moved on to Athens through the Sacred Way and headed by the priestess and the sacred symbols of the worship of Demeter. The Mysteries were concluded with ceremonies in honor of the dead. After the ceremony, Athenians would return to Athens. The Eleusinian mysteries were abolished in the 4th c. BC by the Byzantine emperor Theodosios.
During your visit, bear in mind that the greater part of the area was avaton – a place inaccessible to the uninitiated - for many centuries. Worth seeing are the remains of the Telestirion (ceremonial chamber), also known as the Iero ton Mystirion, located in the center of the area, the Ieri Avli (Sacred Courtyard), the Great and Small Propylaea, and Ploutoneio. Displayed at the Museum of Eleusis are the finds of the digs of the sanctuary and the western cemetery. Worth seeing is the Early-Attic Amphora of Eleusina (650 BC). The neck of the amphora is decorated by a depiction of the blinding of the Cyclop Polyphemos by Ulysses. On the main body of the amphora, Perseus beheads Medousa. Also worth seeing is the Kori from the pediment of the Ieri Oikia (Sacred House) (490-480 BC). It is the statue of a running maiden, her head turned to the left. Located near the archaeological site, it was the most significant necropolis of the ancient city. A conglomeration of prehistoric graves, presumably belonging to the personage of the tragedy Hepta epi Thébas (Seven against Thebes).
During your visit, bear in mind that the greater part of the area was avaton – a place inaccessible to the uninitiated - for many centuries. Worth seeing are the remains of the Telestirion (ceremonial chamber), also known as the Iero ton Mystirion, located in the center of the area, the Ieri Avli (Sacred Courtyard), the Great and Small Propylaea, and Ploutoneio. Displayed at the Museum of Eleusis are the finds of the digs of the sanctuary and the western cemetery. Worth seeing is the Early-Attic Amphora of Eleusina (650 BC). The neck of the amphora is decorated by a depiction of the blinding of the Cyclop Polyphemos by Ulysses. On the main body of the amphora, Perseus beheads Medousa. Also worth seeing is the Kori from the pediment of the Ieri Oikia (Sacred House) (490-480 BC). It is the statue of a running maiden, her head turned to the left. Located near the archaeological site, it was the most significant necropolis of the ancient city. A conglomeration of prehistoric graves, presumably belonging to the personage of the tragedy Hepta epi Thébas (Seven against Thebes).
Emperor Hadrian had a special regard for the Eleusinian Mysteries in which he himself was initiated on his first visit in 124 AD. In order to facilitate the course of the Sacred Procession to the Sanctuary he built a monumental bridge over the Eleusinian Kephisos River, which often flooded. The bridge was 50 m in length, 5.30 m in width and was supported by 4 arches. It is one of the few bridges still preserved from antiquity. In the courtyard of the sanctuary of Eleusis two monumental gates were erected by the Panhellenes: one at the end of the road coming from the Peloponnese and the other at the end of the road coming from the port of Eleusis. Both were exact replicas of the gate of Hadrian in Athens. The inscriptions, engraved in large letters on both sides, informed visitors that the gates were erected in honor of the two goddesses of Eleusis and the Emperor, referring to Emperor Hadrian.
In the 1860s Eleusis began to change its urban profile with the construction of new buildings and the installation of certain small crafting industries. During the 1880s, the industrial development was started with the foundation of Charilaou soap factory (1875), the cement factory of Titan (1902), and distilleries Botrys (1906) and Kronos (1922). In 1922, 2000 refugees from Asia Minor were settled in Eleusis, doubling its population. After WWII hundreds of employees from all around Greece, moved to Eleusis in order to work in the industries of the area. In recent years, Eleusis is being developed into a modern town which disposes of the distinctions of a glorious past. It constitutes the administrative center of the wider area and is the headquarters of the Prefecture of Western Attica. The Archaeological Site and its Museum constitute areas of international promotion and tourist attraction. Furthermore, the Festival “Aeschylia”, the cultural events organized by the Municipality each autumn, is nowadays an institution that gives the possibility of expression of modern cultural matters of the town. Therefore, along with the economic development, the ongoing efforts for infrastructural improvement and protective environmental measures, efforts are made from the side of public authorities, private associations and individuals, for rehabilitation of the spiritual character of the town, so as to be worthy of the heritage that bears the name “Eleusis”.
Eleusis: 2021 European Capital of Culture
Tibor Navracsics, European Commissioner responsible for Education, Culture, Youth and Sport, said: "In 2021, Greece will host its fourth European Capital of Culture after Athens in 1985, Thessaloniki in 1997 and Patras in 2006. Many cities competed for the title, with 14 initial contenders narrowed down to three finalists. This shows once again how popular this EU initiative is with cities and citizens. I congratulate Elefsina on its successful bid. I look forward to seeing Elefsina give visitors from Europe and all over the world the opportunity to discover the city and its cultural assets but also to appreciate the diversity of cultures in the European Union as well as our shared values – this is today more vital than ever. As many previous European Capitals of Culture have shown, the title can bring significant long-term cultural, as well as economic and social benefits – benefits that Elefsina now stands to reap as well."
