the 3 Orders of Architecture
From the beginning of the first millennium B.C., the history of Greek architecture may be summed up in the history of the temple, to the construction and decoration of which all the arts had concurred.
There are three systems of architecture, the Doric, the Ionic and the Corinthian, the later being a variation of the Ionic, differing only in the form of the capital.
In order to find when and how the temples of the Greeks differ, one should go back to the prehistoric Megaron. There is, in fact, a striking resemblance between the Mycenean Megaron and the first Greek Temple. Both are composed of an oblong rectangular hall divided by a transversal wall into two compartments, the Prodomos or Vestibule, in front, and the Reception or Sanctuary, behind. The resemblance goes further still by the appearance.
The Greek forms of the Doric order come without an individual base. They instead are placed directly on the stylobate. Later forms, however, came with the conventional base consisting of a plinth and a torus. The Roman versions of the Doric order have smaller proportions. As a result they appear lighter than the Greek orders.
The Ionic order came from eastern Greece, where its origins are entwined with the similar but lesser known Aeolic order. It is distinguished by slender, fluted pillars with a large base and two opposed volutes (also called scrolls) in the echinus of the capital. The echinus itself is decorated with an egg-and-dart motif. The Ionic shaft comes with four more flutes than the Doric counterpart (totaling 24). The Ionic base has two convex moldings called tori which are separated by a scotia.
The Ionic order is also marked by an entasis, a curved tapering in the column shaft. A column of the Ionic order is nine times its lower diameter. The shaft itself is eight diameters high. The architrave of the entablature commonly consists of three stepped bands (fasciae). The frieze comes without the Doric triglyph and metope. The frieze sometimes comes with a continuous ornament such as carved figures instead.
The Corinthian order is the most ornate of the Greek orders, characterized by a slender fluted column having an ornate capital decorated with two rows of acanthus leaves and four scrolls. It is commonly regarded as the most elegant of the three orders. The shaft of the Corinthian order has 24 flutes. The column is commonly ten diameters high.
The Romans adopted all the Greek orders of architecture and also developed two orders of their own, basically modifications of Greek orders. The Romans also invented the superposed order. A superposed order is when successive stories of a building have different orders. The heaviest orders were at the bottom, whilst the lightest came at the top. This means that the Doric order was the order of the ground floor, the Ionic order was used for the middle story, while the Corinthian was used for the top story.
The Tuscan order has a very plain design, with a plain shaft, and a simple capital, base, and frieze. It is a simplified adaptation of the Doric order by the Romans. The Tuscan order is characterized by an unfluted shaft and a capital that only consists of an echinus and an abacus. In proportions it is similar to the Doric order, but overall it is significantly plainer. The column is normally seven diameters high. Compared to the other orders, the Tuscan order looks the most solid.
The Composite order is a mixed order, combining the volutes of the Ionic with the leaves of the Corinthian order. Until the Renaissance it was not ranked as a separate order. Instead it was considered as a late Roman form of the Corinthian order. The column of the Composite order is ten diameters high.
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